I don't see how youan improvise over the net without making latey part of theompositional strture.
pshonautJoined: Aug 18, 2008: 4Lation: Medford, New Jersey
all of these ideas seem to be getting somewhere.
The delay softwareould beool, but we obviously have to figure out what it isalled and extly how it works before itan beonsidered. I think my original idea to use the same midilk is totally out of the water, but I like the progressive idea with everyone playing on their interval... thatould be a good way to get started and work the bugs out.P.S.
my brother told me I'm stupid and that this impossible... lets prove him wrong with the rording of our first jam
oust Interloper wrote:
There is some software out there doing that, it delays sound till the start of a bar I think .. I forgot how and what extly but it has been mentioned on the forum ... a year ago or so?
You then hear verse 2, 3 and 4.She hears verse 1, 3 and 4.I hear 1, 2 and 4.He hears 1, 2 and 3.
Sie the inherent latey of the Internet prevents true realtime syhronization of the jam2, and playing with latey is weird (and often uomfortable), NINJAM provides a solution by making latey (and the weirdness) mh longer. Latey in NINJAM is measured in measures, and that's what makes it interesting. The NINJAMlient rords and streams syhronized intervals of mus between partants. Just as the interval finishes rording, it begins playing
on everyone else'slient. So when you play through an interval, you're playing along with the previous interval of everybody else, and they're playing along with your previous interval. If this sounds pretty bizarre, it sort of is, until you get used to it, then it bomes pretty natural. In many ways, itan be more forgiving than a normal jam, bause mistakes propagate differently.
